MONTREAL:

On October 14, 2000, I hold a press conference, announce the beginning of my world tour as a Superstar and proceed to give out 50 autographed posters of myself looking glamourous in a blond wig. At the end, a dance competition is held, with the winner receiving the last autographed poster. More than 10 people participate.

MEXICO:

Exhausted by the constant pressure to produce (following my exhibition "waiting for something to happen"), I book a plane ticket and fly to a resort in Mexico. With a postcard I inform La Centrale (place of my current intervention) and numerous other galleries and the media of my departure. In the gallery, I leave five music videos with me in the central role. Their intentional home-made quality reflect my intentions not to please. I hire an assistant to make necessary arrangements for my return. During my absence, my assistant, apparently uncomfortable by the emptiness I left behind, fills the gallery with balloons, fan mail and numerous other objects. After my vacation, I return to La Centrale wearing a suit, and remove everything from the space.

PRAGUE:

I promote my arrival by postering the city with an image of myself as the Superstar. At my first public appearance, I enter a display window facing a busy downtown street, tape myself to a chair, and smear myself with cake. As the crowd begins to grow, I throw the cake at the window, creating a barrier between them and myself. I scream at those that get too close. After 45 minutes, a man from the audience interrupts the performance, breaking the window and freeing me from my self-imposed imprisonment.